Come hear me speak about life as a Copyist! I’ll be a guest speaker at the Frederick County Art Association meeting, which will be held at the Delaplaine Visual Arts Education Center on Monday, April 11 at 7:00 PM. The meeting is open to the public so please feel free to come by and say hello.
Like many in the eastern part of the United States where snow measurements were 25 to 35 inches when all was said and done, I was snowed-in. But, the silver lining was that all that white snow inspired me to paint a “fantasy in white.”
I study Portrait and Figure painting at the Art League School in Alexandria, Virginia, with a well known portrait artist and teacher, Danni Dawson. Danni is a fantastic teacher who feels that in order to achieve the necessary skills to be a good portrait artist, students need to paint everyday and paint everything and anything. We have a weekly assignment, often a simple color study and sometimes complete paintings. Coincidentally, our assignment for this past snowy week was to paint white objects. One was to be done in natural north light and the other under warm studio lighting using every color on the palette for both assignments.
Have you ever studied a white object carefully or taken a good look at the snow? It is amazing how many colors you see. You may see warm colors, yellows, oranges, pinks, greens, or you may see cool colors, blues, violets, greens, browns, depending on the time of day and sky conditions when you make your observation. Painting with studio lighting will tend to warm the subject you are painting and can also pick up many reflective colors that surround your objects.
I have a north facing window near my easel so for my homework assignment I arranged a set-up of white dishes in front of the north light window. I painted “Soups On” each day at the same time, about 1:30 pm until about 5:00 pm in order to keep the light the same. I didn’t want to turn on any artificial lights so by 5:00 pm I was pretty much in the dark. I was able to observe not only the variations of cool colors in my set-up but in the snow outside the window as well. Although the light was not strong as the sky was cloudy, I managed to pick up a variety of colors on the objects.
To prepare for the study under studio lighting, “Dessert Anyone?”, I first had to bake a cake because I wanted to use my cake holder which I thought would add interest to the composition. Luckily, I had all the necessary ingredients on hand. Although natural north light is the preferred lighting for most artists, being able to paint at any time of day in the studio is an advantage and the lighting was much better. Observing the warm colors on the dishes and the cake frosting was an interesting study. Even though both are white, the frosting seemed to reflect a stronger, brighter white. Perhaps because the dishes were picking up the reflective light of their shinny surface or I was eyeing the cake with more concentration because I couldn’t wait to eat it!
Being snowed-in is not so bad if you can find interesting things to do that you love. I love painting and after two sessions with “Dessert Anyone?” I was able to eat the cake…..not a bad reward after a good day of painting.
I’m back in the Impressionist gallery, #85, at the National Gallery of Art, Washington, DC. I spent a couple of months in the American Gallery painting “Right and Left” after Winslow Homer. I love the excitement and activity of the Impressionist Galleries. It’s a bit noisier than other galleries but even some of the guards like it best for the same reasons I do.
The “Harbor at Lorient” is a little jewel that I’ve wanted to paint since it came into the gallery. But because paintings are often sent out on loan to museums around the world, I had to wait for it to come back from tour even though I had previous approval on availability.
Berthe Morisot is the first female artist whose work I have copied, although we have many wonderful paintings by women artists. The “Harbor at Lorient” was painted when Berthe visited her newly married sister, Edma Pontillon, in the summer of 1869 while she was living in Lorient, France. Edma was married to a navy man and did not have children. Since both girls were interested in painting they were free to spend their time painting outside. During this period Berthe was experimenting with a highly Impressionist style.
The “Harbor at Lorient” draws the eye to the sky’s refection in the water and expresses both movement and the future. The boats in the background are leaving from the port and moving to another location, a symbolic reason to create this work as she moved into Impressionism. The harbor is lit from the right hand side which is clear from the line of shading that runs across Edma’s body. Her parasol protects her face from the sunlight but the bottom of her dress is radiant in sunlight. The tone of this work is merry and positive.
When Berthe returned home she anxiously showed her painting to artist friends and colleagues and it was declared as one of her best works. It found it’s way to the first Impressionists showcase. Unfortunately, the “Harbor at Lorient” received a critical reception, deemed painted too spontaneously and casually for the time period and with an unfinished feel. However, after her death, the painting was displayed in a large number of countries and has been well-received by its many viewers who today acknowledge it as one of her foremost Impressionist paintings.
Berthe was influenced by Carot, Manet and Monet. She was very close to her sister Edma, who was the model in many of her paintings. Berthe Morisot was a copyist at the Louvre. She is fast becoming my favorite female artist.
I completed the copy of Winslow Homer in mid-December and delivered it to the client on December 22nd. “Right and Left” was the first Homer I’ve copied and although it is not typically what I would choose to paint, I found that copying this painting made me very much admire Winslow Homer’s work. It was very educational.
The painting depicts two ducks in flight attempting to avoid a hunters bullets. The one on the left although possibly injured continues its escape while the one on the right falls victim to the hunter. It is almost monochromatic with many shades of gray. The more I looked at it, the more colors I saw. The many degrees of value required much concentration. Homer used some very strong tints of greens mixed into the black feathers of the birds and it required strict observation to see it.
I’m fortunate to have had the opportunity to duplicate this magnificent piece of artwork for a client who wanted to surprise her husband with it as a Christmas gift . She told me it is his favorite painting and she also told me he is very happy with the results….I love what I do!
Two years ago I began painting scenes of Frederick and other significant memorabilia on holiday ornaments. These ornaments have been very well received by the public and have become a valuable piece of one-of-a-kind artwork for many collectors. This year I’ve added additional scenes and have created some commission pieces of homes and pets.
The ornaments of Frederick landmarks as well as blank note cards of winter scenes in Frederick are available for sale at The Candy Kitchen, 52 N. Market St., Frederick, MD 21701 (301) 698-0442, and at the Delaplaine Visual Arts Education Center, 40 S. Carroll St. Frederick, MD 21701 (301) 698-0656. For special orders and commissions, please contact me through the SALES AND COMMISSIONS form on this web-site.
Right and Left, a 1909 painting by American artist Winslow Homer, is the copy I’m currently producing at the National Gallery of Art. It’s quite a change from the Impressionist gallery where I painted for the past three years. It is a substantially different style. Also, I am physically located in a different gallery within the museum, one in which quietness and tranquility rule so I can concentrate with fewer distractions although I miss the hustle and bustle of the Impressionist galleries.
Homer painted Right and Left a year before his death and is a culminating achievement of an extraordinary career. The title, provided by a viewer during the works first public showing, refers to the act of shooting the ducks successively with separate barrels of a shotgun. Scholars have suggested that the diving posture of the duck on the right indicates it is the one which has been hit by the hunter’s initial blast. Its mate is attempting to escape the second shot which has just been fired, the flash of the shotgun barely visible within the gray smoke at the middle left.
This painting makes you want to stare at it and wonder what thoughts were on Homer’s mind as he worked. Perhaps he wanted to convey an ambiguous message deliberately, in order to illustrate that crucial moment of transition between life and death. Not ever being interested in hunting, I find this painting a bit sad but it is magnificently painted and although void of the brilliant colors of the Impressionist, it is filled with beautiful paint strokes and emotion.
I will be at the National Gallery of Art, gallery #68, working on this piece every Tuesday until mid December when I expect to complete my copy of Right and Left.
The Women’s Center Art Gallery at FMH Crestwood Frederick, Maryland will include my two paintings Field of Black Eye Susan and Peonies. The exhibit will run from September 14, 2015 until January 8, 2016.
The Art At The Mill exhibit in Millwood, Virginia is one of the most recognized and prestigious art shows in the Washington, DC area. Artists from all over America compete for this juried show. This year, Art At The Mill is celebrating its 25th season of exhibitions that bring artists together and promote the region’s extraordinary talent. Today I am proud to announce that Art At The Mill has chosen me to participate in this year’s exhibition with five pieces of artwork juried into the show.
The drive to Millwood is a beautiful drive peppered with horse farms and wineries along the way. The Mill is an amazing relic from the 18th century. After viewing the beautiful artwork, make your way across the street to have lunch at the Locke Modern Country store or have a picnic in the meadow.
Art At The Mill is located at the Burwell-Morgan Mill, 15 Tannery Lane, Millwood, Virginia. The show runs from October 3-18th, Mon-Thurs 12-5, Fri & Sat 10-5, Sun 12-5, with an artist reception on Sunday, October18th, 2-5 pm. Admission prices are as follows: Adults $5, Seniors $3, kids 12 & under free. For more information visit www.clarkehistory.org/art-at-the-mill.html.
The latest project and the largest copy I’ve attempted is Claude Monet’s “The Artist’s Garden at Vetheuil.” This very popular painting seems to hang in every young girls bedroom, according to the buzz of the visitors at the National Gallery of Art. I remember when my daughter went off to college she decorated her bedroom with Monet posters. The attraction of Monet’s art seems to be the varied palette he used to describe light and shadows and its effect on objects. Everyone loves Monet!
Monet planted gardens wherever he lived. He described objects with the colors that surrounded and were reflected from an object but by the time he created this painting in 1880, the painted surface was more important than capturing a spontaneous effect of light and atmosphere.
This painting shows his young son with his toy wagon very spontaneously described as are other members of his family on the steps leading to the house. Monet could create a 60″x 48″ painting in just a few hours in order to capture the days long shadows often leaving the viewer wondering what the object actually is or is that really a person on the steps that lead to the house?
My copy is not yet complete. I am still working on details and color adjustment so I plan to be in Gallery 85 for a few more Tuesdays. Stop by and say hello.
Spring term classes are over at the Art League School in Alexandria thereby allowing me to focus my energy on creating new works for exhibitions. Not having to work on assignments for my portrait and figure class will give me time to be more creative and experiment with different media, perhaps trying my hand at some abstract and impressionistic work. Copying the Impressionists at the National Gallery of Art has inspired me to move away from the classics to a looser format, at least for a little while. I’d like to do a series of paintings perhaps with just a palette knife and see where I can go with a thicker, imposto style. The excitement of being an artist or painter is the ability to have the freedom to express what you see in any form that comes to mind. It can be in the style of Monet, Van Gogh, Rembrandt or Vermeer. I guess you can say I have not found my personal style yet. Galleries look for a cohesive collection of work before they will consider giving an artist a solo show. For me, that will have to come later. I am satisfied exhibiting on a smaller scale. Right now I plan to have fun doing whatever comes to mind, an advantage when it comes to commission work as I feel confident I can do whatever the client desires. The above paintings were painted from life. Lucky for me the beets stayed fresh long enough to complete the painting. By the way, they tasted delicious after I roasted them. The strawberries had to be painted quicker, almost “alla prima”. I backlit the setup in order to create a glow coming from behind and may try doing a series in this manner with different fruit. I promise to keep you posted on new creations.