Miss Juliana Willoughby – National Gallery of Art

“Miss Juliana Willoughby” after George Romney 32″x24″
“Miss Juliana Willoughby” after George Romney
32″x24″

Miss Juliana Willoughby was my first copying project at the NGA.  The most difficult part of copying the work of a Master artist is not copying the subject, it is trying to recreate the hues of the period the painting was created.  It’s amusing that some visitors comment that they like my colors better.  They don’t fully consider that the original painting is often hundreds of years old and the paint, of course, has dulled.  Some ask if I painted the original.  Come on….I don’t think I look that old, but I take that comment as a compliment.  Some spectators will point out errors, and give me advise how I can perfect the painting.  I take all critiques as a learning experience because as we all know, art is subjective.  Actually, the visitors are often the most fun part of the copyist experience.

Miss Juliana Willoughby, in copy day 2
Miss Juliana Willoughby, in copy day 2

Although I sometimes feel frustrated at being interrupted, I must say the attention is  flattering.  I’m often swarmed by groups of visitors with cameras in hand.  Each one wants to be photographed with me. How could I be upset with all that attention?

 

Copyist Program – National Gallery of Art

I began the Copyist Program at the National Gallery of Art on October 4th, and although I was excited and eager to begin, I have to admit I was a bit nervous. I wasn’t sure how I was going to handle the crowds of people who visit the museum on a daily basis. The application process for the program took about to 2 months to complete, but the wait was well worth it.

Stop by and see me if you happen to visit the NGA on Tuesdays.  I’m on the main floor of the West Wing, from 10am – 4pm. If you don’t see me, I’m probably having lunch in the Cascade Cafe around 12:30 or 1:00.

Hope to see you there!

A Painting – from Conception to Completion

I begin with a toned cotton or linen canvas or panel.  After setting down markings, where the size of the head, body, arms, etc. will go (like a map), I next sketch in the figure using simple large shapes, making sure I mark where the facial features will be, measuring with a paint brush or carefully by sight for accurate distances between the features.  The next step is to lay down the darks and the lights, where the shadows will be and where the light falls on the figure.  When I’m satisfied my drawing is correct, I follow with the of skin tones and clothing color always paying attention to color relationships.  Details are left for the end, kind of the icing on the cake.  Hopefully, I will end up with a very satisfying painting as with A Young Girl Reading, after Jean-Honore Fragonard, in preparation for the Copyist Program at the National Gallery of Art, Washington, D.C.