The following works are now available for purchase exclusively at Nepenthe Gallery in Alexandria, VA.
Two years ago I began painting scenes of Frederick and other significant memorabilia on holiday ornaments. These ornaments have been very well received by the public and have become a valuable piece of one-of-a-kind artwork for many collectors. This year I’ve added additional scenes and have created some commission pieces of homes and pets.
The ornaments of Frederick landmarks as well as blank note cards of winter scenes in Frederick are available for sale at The Candy Kitchen, 52 N. Market St., Frederick, MD 21701 (301) 698-0442, and at the Delaplaine Visual Arts Education Center, 40 S. Carroll St. Frederick, MD 21701 (301) 698-0656. For special orders and commissions, please contact me through the SALES AND COMMISSIONS form on this web-site.
Right and Left, a 1909 painting by American artist Winslow Homer, is the copy I’m currently producing at the National Gallery of Art. It’s quite a change from the Impressionist gallery where I painted for the past three years. It is a substantially different style. Also, I am physically located in a different gallery within the museum, one in which quietness and tranquility rule so I can concentrate with fewer distractions although I miss the hustle and bustle of the Impressionist galleries.
Homer painted Right and Left a year before his death and is a culminating achievement of an extraordinary career. The title, provided by a viewer during the works first public showing, refers to the act of shooting the ducks successively with separate barrels of a shotgun. Scholars have suggested that the diving posture of the duck on the right indicates it is the one which has been hit by the hunter’s initial blast. Its mate is attempting to escape the second shot which has just been fired, the flash of the shotgun barely visible within the gray smoke at the middle left.
This painting makes you want to stare at it and wonder what thoughts were on Homer’s mind as he worked. Perhaps he wanted to convey an ambiguous message deliberately, in order to illustrate that crucial moment of transition between life and death. Not ever being interested in hunting, I find this painting a bit sad but it is magnificently painted and although void of the brilliant colors of the Impressionist, it is filled with beautiful paint strokes and emotion.
I will be at the National Gallery of Art, gallery #68, working on this piece every Tuesday until mid December when I expect to complete my copy of Right and Left.