“The Harbor at Lorient” after Berthe Morisot

Copy in progress
Copy in progress

I’m back in the Impressionist gallery, #85, at the National Gallery of Art, Washington, DC.  I spent a couple of months in the American Gallery painting “Right and Left” after Winslow Homer.  I love the excitement and activity of the Impressionist Galleries.  It’s a bit noisier than other galleries but even some of the guards like it best for the same reasons I do.

The “Harbor at Lorient” is a little jewel that I’ve wanted to paint since it came into the gallery.  But because paintings are often sent out on loan to museums around the world, I had to wait for it to come back from tour even though I had previous approval on availability.

Berthe Morisot is the first female artist whose work I have copied, although we have many wonderful paintings by women artists. The “Harbor at Lorient” was painted when Berthe visited her newly married sister, Edma Pontillon, in the summer of 1869 while she was living in Lorient, France.  Edma was married to a navy man and did not have children.  Since both girls were interested in painting they were free to spend their time painting outside.  During this period Berthe was experimenting with a highly Impressionist style.

The “Harbor at Lorient” draws the eye to the sky’s refection in the water and expresses both movement and the future.  The boats in the background are leaving from the port and moving to another location,  a symbolic reason to create this work as she moved into Impressionism.  The harbor is lit from the right hand side which is clear from the line of shading that runs across Edma’s body.  Her parasol protects her face from the sunlight but the bottom of her dress is radiant in sunlight.  The tone of this work is merry and positive.

When Berthe returned home she anxiously showed her painting to artist friends and colleagues and it was declared as one of her best works.  It found it’s way to the first Impressionists showcase. Unfortunately, the  “Harbor at Lorient” received a critical reception, deemed painted too spontaneously and casually for the time period and with an unfinished feel.   However, after her death, the painting was displayed in a large number of countries and has been well-received by its many viewers who today acknowledge it as one of her foremost Impressionist paintings.

Berthe was influenced by Carot, Manet and Monet.  She was very close to her sister Edma, who was the model in many of her paintings.  Berthe Morisot was a copyist at the Louvre.  She is fast becoming my favorite female artist.

The Artist’s Garden at Vetheuil – Claude Monet

Artist Garden at Vetheuil - Original and Copy
The Artist’s Garden at Vetheuil – Original and Copy

The latest project and the largest copy I’ve attempted is Claude Monet’s “The Artist’s Garden at Vetheuil.”  This very popular painting seems to hang in every young girls bedroom, according to the buzz of the visitors at the National Gallery of Art.  I remember when my daughter went off to college she decorated her bedroom with Monet posters.  The attraction of Monet’s art seems to be the varied palette he used to describe light and shadows and its effect on objects.  Everyone loves Monet!

Monet planted gardens wherever he lived.  He described objects with the colors that surrounded and were reflected from an object but by the time he created this painting in 1880, the painted surface was more important than capturing a spontaneous effect of light and atmosphere.

This painting shows his young son with his toy wagon very spontaneously described as are other members of his family on the steps leading to the house.  Monet could create a 60″x 48″ painting in just a few hours in order to capture the days long shadows often leaving the viewer wondering what the object actually is or is that really a person on the steps that lead to the house?

My copy is not yet complete.  I am still working on details and color adjustment so I plan to be in Gallery 85 for a few more Tuesdays.  Stop by and say hello.